Get ready for a night of high-energy grooves and adventurous sounds with The Baja Blasters! Featuring Dr. Aaron Hedenstrom on saxophone, Josh Gallagher on keyboards, and Jeremy Boettcher on bass, this trio blends jazz, fusion, and merengue with a playful twist. Longtime collaborators Josh and Jeremy bring over two decades of musical chemistry to the stage, while Aaron — who earned his Doctorate in Music from the University of North Texas — adds his monster saxophone chops to the mix. Inspired by jazz greats, pop hits, and folk melodies, The Baja Blasters deliver a vibrant evening of rhythm and improvisation.

Kathryn Ryan’s debut vinyl release party! Come celebrate with Kathryn, and many of the artists that helped contribute to the record — special opening acts Affidavit, Emily V., and Wyatt Thomson. This will be a beautiful night of original music, harmonies, and a showcase of Kathryn’s songwriting and incredible vocals — she’s flying in from Colorado for this one — don’t miss this show!

Vocalist Kat Sherman has been on the Eau Claire music scene for more than two decades, performing in a wide variety of styles and venues, and maintaining an active teaching studio in piano and voice. Having formed the successful jazz trio, Kat and the Hats, she continues her exploration of the jazz idiom in a duo with Paul Hecht.

Paul Hecht brings a wide musical curiosity and a commitment to jazz traditions in the piano/keyboard trio format. Hecht trained with musicians from Detroit and Chicago and now divides his time between Chicago and Eau Claire.

Wyatt Thomson possesses a voice that echos the soundscapes of the dance halls, supper clubs, and road houses that still litter the landscape of his home in the Chippewa Valley of Wisconsin.

​Citing Tom Waits as his biggest influence, it’s safe to say that Thomson (Like Waits) seems to have skipped right over decades of music that might have otherwise changed his sound for the worst.

One of Thomson’s biggest appeals is that he sounds like an artist transported from the 1950’s honky tonks of the Midwest, and dropped off into the second decade of the 21st century unscathed by the worst aspects of pop country, pop music, and an industry forever changed by technology.

Not unlike a character from a Roger Miller song, Thomson has the bona fides of working pawn shops, odd jobs, and scraping by in the rust belt landscape of NW Wisconsin. As a result, he’s gained the street wise and cynical wisdom that is earned young from such a life.

The world may press onward with its insane pace, but Thomson ambles along with a casual confidence and story telling tales that feel like they’re ripped from old paperbacks in a truck stop, or found in some lost postwar beatnik manuscript.